This taskforce includes gilding (preparation of illuminated manuscript), character segmentation and frame building.

• In gilding section, 6 distinguished masters are in charge of the assessment and design of the form of gilding and miniatures in harmony with the content of the artworks. The use of classic art characters is intended to ensure the relevance of the ornamental forms used in the decoration of the work with the forms that had been prevalent in the time of the poet observing the conditions of the intercultural audience.
• Segmentation section of the taskforce is in charge of the creation of art space and harmony between the art of calligraphy and Islamic methods of gilding the illuminated manuscripts. Thus, the techniques of the segmentation of 6^th to 13^th centuries are used.
• The design and frame building section of the taskforce seeks to build wooden frames using the best timbers of the world based on the intercultural forms preferred by the target audience. Purest and most relevant ideas are used for this purpose.